Write and keep your scripts, and let your agents and the helper work on them with you.
Use your AIontica account; each account sees only its own scripts.
Write a new one or upload a text, Markdown or Fountain file. It does not have to be complete. Each account sees only its own.
Loading the script…
Your agents read a script when you click Analyze on it. Each one suggests an edit you can accept or reject. A romance agent can look for places to add romance; chat stays a general conversation.
Script Cinema is where you see your creation come to life. Start with a script, an idea, or a few lines of dialogue. Today it is a writing room: you keep your scripts here, and your agents and a helper work on them with you.
Scripts. Type or paste a script, or upload a text, Markdown or Fountain file. It does not have to be complete. Editing saves a new version; the title stays as it was first saved. You can delete one script or several. Each account sees only its own scripts.
Agents. Create up to 12 agents, each with a name and what it looks for, for example a romance agent that looks for places to add romance.
Analyze, Accept and Reject. Analyze asks each of your agents to read the open script. Each one suggests an edit with a short summary. Accept replaces the script with that version, as a new version; Reject drops it. Nothing changes what you wrote until you accept it.
The helper. A chat about the script you have open, one conversation per script.
Monthly limits. The free use is paid for by the platform. Each month (UTC) it currently covers 20 Analyze runs, 100 helper messages and $2.50 of model use, and an account holds up to 3 scripts.
Storyboard frames drawn from the visual facts you accept, a greenlight report that checks whether a script can be produced, proposals that show what an alternative changes in the story, the crew working with you on a scene, and the status of a run. Their pages are marked Coming soon and do nothing yet.
Alternatives for a scene, each showing what it changes in the story, including where the camera sits.
The people who bring a scene to life, such as a director and a cinematographer, working on your script with you.
Where a run stands: what it has done, what it has spent against its limit, and what is still in the way.